time of analogous construction

time of analogous construction
sábado 19 mayo 2012 9:30 p.m.

interferencia
the martinss horrible

ambiente: [r]e:unit | x-mode | tremur

el cuartel pop – bar entrada libre
av. martín carrera no.237 esq. sta. julia a una calle de av. vicente villada entre av. pantitlán y av. texcoco col. vicente villada, cd. netzahualcóyotl; edo. méxico.

interferencia es el resultado de meter en la batidora un webmaster, un publicista y un director de teatro. añadiéndole el ingrediente de ser fans de depeche mode  , algunos experimentos con invitados, enojos, re-encuentros, abrazos, cervezas… después de un anuncio colocado en un foro de dm, interferencia se formó inicialmente por dexter y aaronhf74 como una banda tributo a dm. tras un año de trabajo de estudio, glezpik se integra como cantante, así como director de visuales. en 2006 compuso el oeste solitario para la versión mexicana de la producción teatral de martin mcdonagh el oeste solitario, dirigido también por aaronhf74. interferencia se han convertido en una de las bandas tributo más reconocidas entre los aficionados mexicanos de dm actualmente están trabajando en el estudio para lanzar un ep con canciones originales (también inspirado en dm, de retroceso y otros influyentes bandas de pop de sintetizador clásicos como mesh, fad gadget, massive attack, bel canto, ultravox, kraftwerk, omd…).
dexter – teclados, programación, producción, lírica, producción ejecutiva.
glezpik – voz, programación, post producción, dirección visual.
aaron – teclados, pre-producción, lírica, coros.
interferencia incluido en el tributo modeified by 7 again
http://www.facebook.com/pages/interferencia/13385060394

the martinss horrible es un proyecto independiente creado por martinss conformado en el 2010 como tal, tras un año atrás de pruebas y secuencias para lograr un sonido electrónico bailable & siniestro a la vez, sin dejar nunca las roots del batcave & post con el concepto de combinar el electro & la esencia del horror, de ahí el nombre de martinss horrible que sería algo como (martins horrorozo o el horrible martinss); la idea surge al notar que las nuevas generaciones se vuelven sintéticas & se olvidan del horror, de lo siniestro, basándome en mis influencias principales como lo son el batcave en lo personal, la mayor parte de alien sex fiend (por los sonidos electrónicos y el aspecto mortuorio), el post punk, death rock, psychobilly, el high energy (también como base en los drums & bassline), industrial, minimal tech, techno, el punk subterráneo en méxico, & ebm; logrando así el electro high, un sonido que surge al combinar en mi mente, mis delirios el high energy como base los bassline, drums con el electro el bass creado con osciladores & variaciones de onda del mismo, el ebm( basslines con arpegios) & sonidos tétricos dándole una esencia siniestra, al crearlo tenía 2 razones lo siniestro & la pista de baile, siendo así bailable, pegajoso. haciendo así un concepto de electro tétrico. por otro lado un electro fuerte tanto como para el electro industrial: creado bajo la tendencia de baile, sonidos fuertes, ebm, & otras tendencias. el ebm que más adelante comencé a producir bajo la tendencia de unión orgullo baile fuerza & basslines clásicos & drums bailables, el deathrock comencé a producirlo a mediados de marzo del 2012 moviéndome en la escena de manera underground produciendo mis propios cd’s & apoyando a los camaradas en el jale, fiesta & eventos.
http://www.facebook.com/the.martinss.hhorrible

sintoniza

oído elektrónico sábados de 7:00 p.m. a 8:00 p.m. http://www.facebook.com/oidoelektronico
http://www.nonamoris.net/radiotest.html

technobeat radio domingos de 9:00 p.m. a 10:00 p.m. 104.5 fm http://www.relax1045fm.com/http://www.facebook.com/profile.php?id=100001744226089

doblea radio & tv programación diaria http://www.doblearadio.net/

krafty distribución sábados: tianguis del chopo de: 10:00 am a 17:00 pm. local <<100 & 101>>
calle 7 #96 esq. escondida, col. esperanza; cd. netzahualcóyotl. lunes a viernes de 11:00 a 22:00 hrs.
http://www.facebook.com/kraftydistribucion

Fundraiser “10 years Salon Bruit Jubilee” | 19.05.12 | NK Berlin

Fundraiser “10 years Salon Bruit Jubilee”

COME AND SUPPORT SALON BRUIT:

Your cooperation will be used to purchase equipment (PA) to provide better conditions for the musicians invited to the activities organised by Salon Bruit e.V.

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Salon Bruit eV. is a Berlin based non-commercial forum for both audience and artists interested in experimental music and video works, as well as installations and workshops. Salon Bruit started in 2002 in Berlin as an open platform for international artists of various backgrounds who experiment with sound, art, music and noise in unconventional ways. Salon Bruit continues to organize concerts in Berlin while, at the same time, building its European network in order to travel and interact with other artists at co-organized projects across Europe. A unique quality of the association is its open, interdisciplinary and independent approach with continuous presentations in the form of regular concerts and performances, independent radio projects and exhibitions in Berlin and other European cities. The club sees itself as a cultural ambassador as well as an intermediary in cultural exchange. Outside of Berlin the most extensive contacts have been made so far in France, Ireland, Czech Republic, Denmark and most recently Poland. This summer, Salon Bruit will be celebrating its tenth anniversary with event all around Berlin throughout the month of June.
https://www.salonbruit.org

CONCERTS:

-FAKE SISTERS
-MANGROVE KIPLING
-LIFELOOP IN KNIFEMODE
-CRUST [ANY+DR.NEXUS+KOBA]

INSTALLATIONS:

-MICHAEL SCHMACKE
-OLIVIA PILS
-JULIAN BONEQUI (cgi | animation)

>READ MORE

NK

Elsenstr. 52/
2.Hinterhaus Etage 2
12059 Berlin Neukölln

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::: OHRENGALA #09 ::: ANDRÉ VIDA | TBC (Thomas Beck) | BENJAMIN L. AMAN ::: 29.04.2012 :::

OHRENGALA
Bei Roy e.V.| BERLIN
Ziegrastr. 11 12057 Berlin
Doors open 21:00 | Concert start sharp 22:00

Bei Roy is not the typical venue only for experimental music. It’s a chance to offer interested people this form of music in a hopefully good way. Audition Records supports these series as promoters and associated curators.

PROGRAMME

29.04.2012 | OHRENGALA #09

ANDRE VIDA | tbc (HH) | BENJAMIN L. AMAN

(All images are copyrighted by their respective copyright owners)

ANDRE VIDA

Andre Vida (b.1974) is a Hungarian American saxophonist, composer and lyricist living in Berlin. Vida has been at the forefront of several major developments in experimental music, including his membership in Anthony Braxton’s original Ghost Trance Ensemble, his recent world record of 403 half hour performances at the Serpentine Gallery responding to Anri Sala’s film Long Sorrow, performances with The Tower Recordings, and his extensive collaborations with electronic music visionaries Jamie Lidell, Tim Exile, Kevin Blechdom, and Rashad Becker.

Vida has developed a series of philosophical approaches to improvisation using restrictive costumes, animated graphics based score installations, and self made instruments. His solo saxophone pieces are the culmination of this focused improvisational thought, combining the theatrical aspects of his body, instrument, and voice.

For his Ohrengala performance Vida will extend his experiments with physical restriction by integrating a simple touch composition idea in collaboration with Letizia Monae.

Recently he presented ‘Brud: Volumes I-III’ (PAN 20), a three volume compilation of recordings from 1995 to 2011 now available at PAN label, morphing seamlessly between a sense of total irreverence and the sublime.

tbc (HH)

“tbc is Thomas Beck (ex-H64), operator of the Hamburg based Wachsender Prozess label and long-established sound artist, known from several solo releases, “mail music projects” and collaborations with Brume, Asmus Tietchens, Das Synthetische Mischgewebe, etc, during the past 15+ years.”

tbc started in the early 80’s to make his own sound as H 6 4. Franz de Waard of Vital called his music as some of the hardest music in Europe. Activities in the Cassettemusicscene with two Labels (DDT-Tapes and EX) and also in the so called Mailart Network.

Running “Wachsender Prozess” with smartman Stickel: for noise culture based sounds. Together with Günter Reznicek (Nova Huta) und Felix Knoth (Felix Kubin, Klangkrieg) they publish the magazine (Odradek) about Electroacoustic and Electronic Music.

About his music: “a methodical landscape constructed via fieldrecordings (no input mixer), composed elements and a consequent forms of creating noise walls with different inner structured fine tones. “

For Ohrengala, Tbc will offer a surrealistic, electro-acoustic harsh noise piece. It ranges from the disharmonic to the harmonics of spiritual high level to the idiotic machine music, in which the machine is a symbol of godlike perfection.”

BENJAMIN L. AMAN

A french sound & visual artist born in Rouen. Through different medias : drawings, installations, recordings, writings, actions, Aman’s work finds its place in between different levels of perception, combining a physical, a mental and an emotional approach. As a sound performer Aman uses analog electronics, tape works, lights, space, actions, and static compositions, considering the live situation as a blank sheet of paper.

For Ohrengala, Aman will show a new piece called AG 30-320, a work exploring space by using action and confrontation as a princip of resistance. AG 30-320 intends to define limits between different states of consciousness and psychogeographical disorders, using sound as a princip of gravity.  [ RAZZLE DAZZLE ]

Benjamin L. Aman on Audition

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  17:40 min

READ MORE | AUDITION RECORDS | OHRENGALA

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NOISH & XEDH @ DISCOS PARADISO, BARCELONA, 26/04/12

RAM.03 | TWO SOLOS: HILARY JEFFERY & ANSGAR WILKEN | Berlin 20.04.12

RADICAL ANIMATION & MUSIK AT
K77 -Lichtblick Kino- | SALON BRUIT BERLIN
Kastanienallee 77. 10435 Prenzlauer Berg
Doors open 21:30 | Concert & screenings start 22:30

READ MORE
http://auditionrecords.com/ram.html

HILARY JEFFERY (NL) | Trombone

Hilary will present his new piece for acoustic trombone. Music has been Hilary’s main activity since 1990 which started with a journey to the Sahara Desert, accompanied by a trombone. This journey and the sense of silent-space experienced there has been a continuous influence on his work ever since.Hilary’s work in music has included recording and playing live with many musicians and groups including (in roughly reverse chronological order): Zeitkratzer, Catherine Christer Hennix, Franz Hautzingers Third Eye, Splitter Orchester, Lysn, Jimi Tenor, High Birds, Kreepa, Black Galaxy, The Mount Fuji Doomjazz Corporation, Paul Dunmall Quartet and Octet, Moksha Big Band, The Barton Workshop, Apa Ini, Keith Tippett’s Tapestry, Band of Holy Joy, Sand, Earthling, Hugh Davies and Germ.

ANSGAR WILKEN (DE) | Cello

Ansgar Wilken plays his cello as if it was a guitar. He’s learned finger-picking at the age of 13 and has developed his significant style since then. This is Minimal, Blues, Ethno in a rigorous corset. Wilken is part of several bands and projects (Ilse Lau, Anton Tornister, Julijuni, Pneumo Twins). He runs the vinyl-only label Happy Zloty Records as well as Krankrosine Records. Furthermore you find his illustrations & paintings on:
theyfoundmybodybytheriver

ALESSANDRA LEONE (IT) Commissioned animation [ screening ]

Alessandra Leone (Milán, 1983) currently is based in Berlin. Motion graphic designer and self taught programmer, highly fascinated by perception, consciousness and reality… exploring new solutions for experimental mapping installations and immersive environments. For this serie Alessandra will work for one month in a new piece inspired and with music (excerpt) of the concert in Prague, in 2005 by Emiter & Arszyn [from ar054: AUDIO TONG Radical Poland III ] …

WATCH ANIMATION presented on RAM.02:  Julio Clavijo | Commissioned animation with music by the mexican composer Rogelio Sosa

READ MORE

http://auditionrecords.com/ram.html