../artesonoro.org

>>> Artwork by noi……………………………………………..Wallpaper (1024×768)

…tracklist…

1.- Urbanita.
2.- Escalera 3.
3.- Zona 30.
4.- Raices.

Download Zip

…comments…

Urbanita es es el nombre de la nueva referencia de C Gonzalez, esta vez en escala. Cuatro cortes de claroscuro minimalismo que nos acompañan en un viaje pausado e inquietante que torna a cálido incluso bailable en muchos momentos. Una nueva piedra en la cada vez más consolidada faceta como productor de C Gonzalez, co-responsable de Minuendo Recordings y artifice de otros proyectos para distintos sellos. Un trabajo altamente destacable en nuestra escala particular.

Urbanita is the name of C Gonzalez’s new reference, this time in escala. Four tracks of minimal dark which go with us in a slow and a worried travel that is became a warm and, in any moments, a dancer. A new stone in the each time more consolidated facet as C Gonzalez’s producer, co-responsible for Minuendo Recordings and artifice of other projects for different labels. A highly notable work in our private “escala”.

http://www.escalared.com

cyanrecs.com [c6] Gastón Arévalo Pez de Piscis

www.cyanrecs.com | Netlabel

NEW MP3 EP Online!

Gastón Arévalo

Montevideo, Uruguay
[C6] Pez De Piscis

Tracklist
01 328 Pies 5:26
02 Aparte 4:07
03 Costabrava 5:27
04 Lumpen 5:00
05 Aparte (Fax Remix) 6:13

Total running time: 26.2 minutes - 48.1 MB | http://www.cyanrecs.com

We start 2007 with a superb EP called Pez De Piscis, from musician and producer Gastón Arévalo (Montevideo, 1981). He’s a young
multidisciplinary artist from southamerica, his music has been released on numerous netlabels from Latinamerica and the European
Union, also, he’s involved on several netart and audiovisual projects.

With this new EP, Gastón shows us his particular world of digital and acoustic composition, sound and vision, dub attitude, aquatic rhythms and guitar licks full of reverb, four tracks that sounds like a whole, four different tracks that sounds like a musical family, in perfect harmony.

This beautiful EP closes with a remix to one of the tracks by mexican producer Rubén tamayo aka Fax.

More info at:
http://www.garevalo.info
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www.cyanrecs.com | Netlabel

NUEVO MP3 EP Online!

Gastón Arévalo

Montevideo, Uruguay
[C6] Pez De Piscis

Tracklist
01 328 Pies 5:26
02 Aparte 4:07
03 Costabrava 5:27
04 Lumpen 5:00
05 Aparte (Fax Remix) 6:13

Tiempo total: 26.2 minutos - 48.1 MB |
http://www.cyanrecs.com

Empezamos el 2007 con este excelente EP llamado Pez De Piscis, del músico y productor Uruguayo Gastón Arévalo (Montevideo, 1981). Gastón es un joven artista multidisciplinario de sudamérica con trabajos editados en varios netlabels de Latinoamérica y la Unión Europea, además de ser un activo creador de netart y trabajo audiovisual. En ésta, su primer entrega para Cyan Recs, Gastón nos muestra su particular visión del binomio electrónica/acústica, sonido y forma, actitud dub, ritmos acuosos que juguetean con guitarras reverberantes en cuatro tracks que lejos de ser (in)diferentes los unos de los otros se complementan, emparentan, formando una familia en perfecto balance musical.

Este interesante trabajo cierra con una remezcla a uno de los temas por parte del productor mexicano Rubén tamayo aka Fax. Pez De Piscis es nuestra primer carta de presentación del 00-7 y una muestra del nivel musical que seguiremos ofreciéndoles en Cyan Recs.

Más info en:
http://www.garevalo.info

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CYAN RECS | Free Digital Music from Mexico http://www.cyanrecs.com

2007 Cyan Recs. Netlabel. Mexicali, Mexico. Some rights reserved under Creative Commons.
Cyan Recs is a Mexicali, Mexico based netlabel for digital contemporary electronic music. This music portal is mainly for creative sound compositions like minimal dub, glitch jazz experiments, techno, microhouse music, and everything in between. All this of course is for FREE and available on high quality MP3, encoded in 256 kbit. Also we have included a 300 dpi slim case color cover for each release, so you’ll be able to put a ‘face’ to your downloaded recording. Stay connected.

http://www.polinomio.net/

Literal:
El 30 de Noviembre se clausuró el III Festival Internacional de Música Carmelo Bernaola , con un concierto del grupo Ensemble Espacio Sinkro, en el auditorio del Conservatorio de Música de Vitoria-Gasteiz. El programa giró en torno a Bertol Bretch y la música de entreguerras, con temas de Kurt Weill, Maurice Ravel, Paul Hindemith, Erwin Schulhoff y Dmitri Shostakovich.

La espléndida actuación de la mezzosoprano Itziar Lesaka, acompañada al piano por Sergio Gutiérrez, y los textos del propio Bertol Bretch interpretados por la actriz Arantxa Ezquerra, nos situaron en ese especial período de la Historia de Europa. Además, participaron Roberto Casado, flauta; Vicente Elizondo, oboe; Patxi Divar, clarinete; Iñaki Iraola, fagot; Patxi Tardio, trompa; Josetxo Silguero, saxofón alto; Víctor Parra, violín; y François Monciero, violonchello.

La disposición del público, la escenografía, la iluminación y la puesta en escena, daban un cierto aire de Cabaret al espacio, gracias al trabajo de Javier Larreina, Javi Ulla, Mari Cruz M. Irazábal y Alfonso García de la Torre.

VIDEO 1 - Barbara’s Song de Kurt Weill (1928)
VIDEO 2 - Sonata en Re menor (Allegro) de Dmitri Shostakovich (1934)
VIDEO 3 - Hot Sonate (3º mov.) de Erwin Schulhoff (1930)
VIDEO 4 - Sonata Blues de Maurice Ravel (1923-1927)
VIDEO 5 - Kleine Kammermusic op.24 nº2 de Paul Hindemith (1922)

Fotos

Estimados Amigos,

SMASH ensemble retoma sus actividades después del I Festival SMASH de Música contemporánea 2006 que ha tenido una gran respuesta con el público salmantino. Los conciertos fueron de gran calidad y día tras día la asistencia se fué incrementando.

Tonadas, Talas y Tangencias es el nuevo evento que SMASH ensemble presentará en la ciudad de Salamanca, el hilo conductor de este concierto son las 3 generaciones de compositores españoles que se interpretarán: Cristóbal Halffter, José Manuel López López, Héctor Parra e Iñaki Estrada. Todos ellos poseen un lenguaje sumamente personal y confirman la individualidad que marca la época en la cual vivimos.

El título del concierto nos invita también, a escuchar justamente obras de gran diferencia respecto a la duración, como lo son las Talas (ritmo indio), La tonada de San Pablo (miniaturas) y las tangencias que se realizarán dentro de la programación propuesta.

El programa y los intérpretes:

Tonadas, Talas y Tangencias…

17 de Febrero 2007
20h30
Auditorio del Conservatorio Profesional de Música de Salamanca
c/ Tahonas Viejas nº 5-7, Salamanca-España

Talas I
de Octavio López
Para Violonchelo y Guitarra

Ekphrasis
de José Manuel López López
Para Marimba

Tonada de San Pablo
de Pierre Strauch
Para Violonchelo

Debla
de Cristóbal Halffter
Para Flauta

Sonata
I- Esordio
II- Scherzo
III- Canto
IV- Finale
de Alberto Ginastera
Para Guitarra

Andante sospeso
de Héctor Parra
Para Flauta y Piano

Tangencias
de Iñaki Estrada
Violonchelo, Marimba y Piano

Duración: 65 min

Solistas de SMASH ensemble
Clara Novakova – Flauta
Eric-Maria Couturier – Violonchelo
Natalia Baquero – Piano
Sisco Aparici – Percusión
Bertrand Chavarría – Guitarra

Si estan interesados en asisitir no duden en comunicarse por correo electrónico con nosotros a nuestra dirección : info@smashensemble.com .

Esperamos poder contar con vuestra presencia!

Un saludo cordial,
Bertrand Chavarria
Director Artístico de SMASH ensemble

SMASH ensemble colabora para la realización de este concierto con Caja Duero y el Conservatorio Profesional de Música de Salamanca.

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La Rebelión de los Antioxidantes Radio para artesonoro.org

[la rebelión de los antioxidantes web]

CONTENIDOS 10-01-07

Sección improvisación/contemporánea 

01. PIERRE CARTIER
Track: Plus Belle Que Les Larmes
Album: Chansons De La Belle Espérance
Label: Ambiances Magnétiques Jazz

02. ANTOINE BERTHIAUME / MICHEL DONATO / PIERRE TANGUAY
Track: Mr. Suozzi
Album: Ellen’s Bar
Label: Ambiances Magnétiques Jazz

03. ANTOINE BERTHIAUME / MICHEL DONATO / PIERRE TANGUAY
Track: Nose Worthy
Album: Ellen’s Bar
Label: Ambiances Magnétiques Jazz

04. PHILLIPPE LAUZIER / MILES PERKIN / ROBBIE KUSTER
Track: Illégalité
Album: Today Is A Special Day
Label: Ambiances Magnétiques Jazz

05. PHILLIPPE LAUZIER / MILES PERKIN / ROBBIE KUSTER
Track: Histoire Du Mendiant
Album: Today Is A Special Day
Label: Ambiances Magnétiques Jazz

06. PIERRE YVES MARTEL
Track: For D/C
Album: Engagement & Confrontation
Label: Ambiances Magnétiques

07. PIERRE YVES MARTEL
Track: L’atelier À Lamario
Album: Engagement & Confrontation
Label: Ambiances Magnétiques

…………………
Sección experimental 

01. PRIL SMILEY
Track: Kolyosa
Album: Pioneers Of Electronic Music
Label: New World

02. VLADIMIR USSACHEVSKYVA
Track: Sonic Contours
Album: Pioneers Of Electronic Music
Label: New World

03. ERIC LA CASA
Track: Tracks 2, 3, 4 y 5
Album: Air Ratio
Label: Sirr.ecords

04. TETSU INOUE + ANDREW DEUTSCH
Track: Field Tracker
Album: Field Tracker
Label: Anomalous Records

05. MARK APPLEBAUM
Track: ESSL Museum
Album: The Bible Without God
Label: Innova

…………………
Sección electrónica 

01. SYSTEM 7
Track: Alpha Wave (Mirror System Remix)
Album: Escape From Chaos
Label: Tempest

02. XEDH
Track: No Pito Listo
Album: Agujero Negro
Label: Hamaika

03. XEDH
Track: Me Corro
Album: Agujero Negro
Label: Hamaika

04. THE ADVENT
Track: Sketch 3
Album: Sketched For Life
Label: Tresor

05. SENSATIONAL MEETS XOUHEI
Track: 123456
Album: Sensational Meets Xouhei
Label: Word Sound

06. SENSATIONAL MEETS XOUHEI
Track: Sensachre (Autechre Remix)
Album: Sensational Meets Xouhei
Label: Word Sound

07. ARDISSON
Track: Pretty (London Mix)
Album: Rhythms Re-Lik
Label: Ginglik

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Música Difícil para artesonoro.org

Dirigido y presentado por Chema Chacón
Onda Latina, 87,6 FM – Madrid (ES)

CONTENIDOS MUSICA DIFÍCIL 19-12-06

01. CARLES SANTOS
Track: Sauna
Album: Perturbación inesperada
Label: Linterna Música, 1986

02. KURT SCHWITTERS
Track: Ursonate
Album: RAS 1
Label: Revista Arte Sonoro, 1996

03. YASUNAO TONE
Track: Wounded Man´yo 2/2000
Album: Yasunao Tone
Label: Asphodel, 2003

04. PANSONIC
Track: Machinist
Album: Kathodivaihe
Label: Blastfirstpetite, 2006

05. FERRAN FAGES – RUTH BARBERAN –ALFREDO COSTA MONTEIRO
Track: rtiug (fragmento)
Album: Semisferi
Label: Esquilo Records, 2006

06. DR. CHADBOURNE – ALAN LICHT – LEE RANALDO
Track: Greetings Fellow Pickers (fragmento)
Album: Adventures at The Guitar Festival: Greetings Fellow Pickers
Label: Leo Records 2003

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Ondasonora Radio para artesonoro.org

CONTENTS ONDA SONORA 27-01-07

01. PRURIENT
Track: Military Road / Earthworks - Buried in Secret
Album: Pleasure Ground
Label: Load

02. KK NULL & DANIEL MENCHE
Track: 1 5:44 / 2 14:02 / 3 6:04 / 4 13:30 / 5 15:11
Album: Raijin
Label: Asphodel

[onda sonora radio web]

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A etiqueta - 17/04/2004

[Arquivo sonoro do programa de SINSALaudio en Radio ECCA 1998-2005]

playlist
radio magenta│the opposite of money│i am sorry, i am and some other heartteaching sotries│keplar
trespasers william│vapour trail│02/00│different starts│bella union
sufjan stevens│in the devils terrritory│seven swans│rough trade
vitaminsforyou│ecologie+histoire│i´m sorry for ever and for always│intr_version
cosmic connection│xeranth│iambic│u-cover
john hegre│track 2│a nice place to leave│dekorder
gert-jan prins│track10│risk│mego
hecker│ciz-clemp 2│pv trecks│mego
m.behrens│track 6│selected minimalist concerns│krev greece
zu│muro torto│igneo│amanita records

locutor/speaker: luis campos

[SINSALradio WEB]
[A Etiqueta WEB - archivo del programa]

8º Concurso Internacional de Composição Electroacústica Música Viva 2007

Estão abertas as candidaturas para o 8º Concurso Internacional de Composição Electroacústica. Poderão participar compositores de qualquer nacionalidade com idade não superior a 35 anos em 31/12/2006. Cada concorrente poderá participar com apenas uma obra, não editada comercialmente, nem premiada em qualquer concurso nacional ou internacional.

As inscrições estão abertas até ao dia 30 de Junho de 2007.

Consulte aqui o regulamento.

Para mais informações, contacte:
tel: (+351) 21 4575068 fax: (+351) 21 4587256
email:

ATLANTIC CENTER’S RESIDENCY PROGRAM

MAY 14 - JUNE 3, 2007 (Application Deadline: February 9, 2007) RESIDENCY #124

Since 1982, Atlantic Center’s residency program has provided artists from all artistic disciplines with spaces to live, work, and collaborate during three-week residencies. Located just four miles from the east coast beaches of central Florida, the pine and palmetto wooded environment contains award-winning studios that include a resource library, painting studio, sculpture studio, music studio, dance studio, black box theater, writer’s studio, and digital computer lab. Each residency session includes three master artists of different disciplines. The master artists each personally select a group of associates - talented, emerging artists - through an application process administered by ACA. During the residency, artists participate in informal sessions with their group, collaborate on projects, and work independently on their own projects. The relaxed atmosphere and unstructured program provide considerable time for artistic regeneration and creation. Atlantic Center for the Arts provides housing (private room/bath with work desk), weekday meals (provided by ACA chef) and 24 hour access to shared studio space. Financial Aid is available to qualified applicants.
For more information on how to apply, please telephone (386) 427-6975 or (800) 393-6975 (domestic US only)

email

martes 31 de enero . 11:00
EHU/UPV, Facultad de BBAA, Leioa (Bizkaia)
gratis

El artista y pensador alemán Achim Wollscheid, a quien pudimos ver hace unos pocos meses en las jornadas [un]common sounds celebradas en Arteleku, ofrecerá esa semana una conferencia sobre su trabajo en la facultad de B.B.A.A de la Universidad Pública del País vasco de Leioa.

Achim Wollscheid es un artista cuyo trabajo durante los últimos 20 años ha sido considerado como la punta de lanza de la música experimental. En todo esta trayectoria su trabajo sonoro ha conducido a Wollscheid a profundizar en la relación entre sonido, luz y el espacio arquitectónico, como demuestran sus obras de gran carácter interactivo. Fue miembro fundador de la importante plataforma alemana Selektion, organización para la producción y distribución de sistemas de información. Ha publicado varios libros como “The terrorized term” (1999) o “Selected works 1990-2000″ (2001) y ha participado en infinidad de publicaciones como “Social Music” (Errant bodies, 2002). Ha actuado y presentado proyectos de instalaciones internacionalmente.

+ info: www.arteleku.net/audiolab | www.selektion.com

The PureData Convention Steering Committee and the PureData community in Montréal are pleased to host l’œuvre ouverte, the 2nd International PureData Convention. Montréal has a diverse artistic community dedicated to the exploration of new technology and interdisciplinary exchanges with technically engaged groups. Collaboratively developed new media tools such as PureData have found their way into several facets of our artistic landscape including visual art, music, sound art, theatre, dance and VJ culture. The ever-increasing public appreciation and interest in tools like PureData are evidence of the substantial research and development being conducted in the larger community. This is the result of the dissemination efforts and commitment of several media arts organizations and the ongoing exchanges carried out by grassroots networks such as the Montréal PureData user group (PDMTL).

L’œuvre ouverte will consist of a series of conferences, demonstrations, round table discussions, performances and exhibitions. The convention will strive to reflect on the aesthetics and politics of free Open Source software culture by focusing on the development, artistic uses and critical writing about PureData. L’œuvre ouverte will advance the collective development of PureData through group coding sessions and by fostering a constructive dialogue among programmers, users and theoreticians. We are fortunate to have the support of some of Canada’s key media arts organizations and institutions as partners. Their involvement in hosting the convention not only has secured high-quality venues and locales for our activities but also ensures that the event will draw key stakeholders both from the international and national PureData community, building on the success of the first convention held in 2004 in Graz, Austria.

The PureData community in Canada along with the Canadian media arts artists and arts organizations look forward to welcoming their international counterparts and to actively contribute to the development of PureData on this occasion of partnership and exchange.

• August 21st-26th 2007, Montréal Canada
• Deadline for artworks and workshops: February 28th 2007
• Deadline for papers: March 31st
• Application form for papers, papers guidelines, templates and submissions page will be posted on February 10th

More info.

By emit.

TALLER DE ARTE SONORO Y MÚSICA POR ORDENADOR

por LEOPOLDO AMIGO

ORGANIZA:

Departament d’Escultura – UPV Subdirecció d’Extensió Cultural

CONTENIDO

Con el curso se pretende que el alumno entre en contacto con el fenómeno
sonoro-musical y cómo, mediante el ordenador, se puede analizar, generar y
transformar. Profundizando en el espacio como elemento que modula y elemento
modulado, pasando por los procesos de generación, composición, mezcla y
posterior masterización de un proyecto sonoro y las aplicaciones del mismo en
distintos medios, y mostrando cómo con medios al alcance de cualquier persona
(ordenador personal y tarjeta de sonido), se puede lograr resultados
profesionales.

PROGRAMA

- El sonido y sus características.
- El ordenador como herramienta de grabación, edición, mezcla y síntesis.
- Microfonía.
- Grabadoras, técnicas y soportes.
- Sound Forge.
- Editores de Audio.
- Reason.
- Edición y uso de muestras y loops
-Sintetizadores virtuales.
-El sampleador virtual.
-Secuenciadores.
-Vegas Vídeo.
-Mezcladores virtuales.
-Masterización y postproducción.
-Análisis del espacio en función de instalaciones sonoras.
-Producción y realización de un proyecto.

FECHA DE REALIZACION

Del 30 de enero al 16 de marzo de 2007

LUGAR

Laboratorio de Imagen Digital (LID) del Dpto. de Escultura.
Dirección: Facultad de Bellas Artes. Camino de Vera s/n. 46022-Valencia

INFORMACION

Departamento de Escultura
Camino de Vera s/n 46022 Valencia
Tl. 963877480 – fax 963877489

e-mail

TOUCH’N'GO: ECOLOGICAL MODELS IN COMPOSITION

Damián Keller 1999

Maestro, Esc. Nac. de Música J.P. Esnaola, 1988
Bacharel, Universidade de Brasília, 1995

abstract
touch’n’go is a fifty-minute tape and text piece, published as an enhanced compact disc, and as a custom CD-ROM. The CD-ROM includes the eleven sections of the piece, short Spanish and English texts - in HyperText Language Markup format - for each section, Csound code used to produce the sound material with most of the necessary samples. touch’n’go is the first attempt to apply an ecological approach in composition. This approach draws from soundscape techniques, physical models, and ecological models, expanding the existing palette of tools for synthesis and transformation of everyday sounds.

CALLING ON THE INTERNATIONAL COMMUNITY OF ELECTROACOUSTIC MUSIC AND SONIC ART
for a WORK OVERTURE PROJECT
in the 37th FESTIVAL SYNTHESE BOURGES 2007 “MELANCHOLY”

The theme of the Open Work 2007 is Melancholy.

One constant linking all the varied faces of Melancholy through the ages has been that music brings consolation to the melancholy soul.
We suggest reversing this order and letting Melancholy bring consolation to music, or at least inspire it, not without a certain nostalgia.
As a counter-example we propose this extract from Mémoire sur la manière de guérir la mélancolie par la musique (Report on how to cure melancholy by music) by Pierre-Joseph Buchoz from the year 1769 :
“The music to be employed to cure the dry melancholic disposition should begin with the lowest notes and move gradually to the highest notes. By this harmonic movement the stiff fibers, accustomed to various degrees of vibration, learn to become more flexible.
Those on the contrary of moist melancholic disposition require for its cure cheerful, loud, lively and varied music, for it is more suited to move and stiffen the fibres”.
Thus do the fibers and vibrations, moved by the timbres, the gradual progression of the notes and the glissandi through the dispositions, bring to those who hear them relaxation and happiness.

Every year, the participation of composers and sound artists is more and more important to the overture project. This is the reason why the organizers have decided to change some terms of the proposal:
All works will be played continuously during Festival “Synthèse 2007″
Listeners will communicate their appreciations and preferences
From this base, the organizers will distinguish twenty pieces
These 20 pieces will be programmed in two concerts of the serie “Actuelles Internationales” at the 38th festival “Synthèse 2008″
The other conditions are not modified :
The work overture project is opened to all composers, creators and sonic sculptors who wish to participate.
All works have to be finished before mid - May 2007. Works have to be on this theme only, otherwise they will not be played.
The duration of your work must span not less than 4 and not more than 6 minutes.
Your work must be exempt from all broadcasts and reproduction rights, excepted of course author’s royalties.
You must send your work using one of the following media: CD, Dat.
Your work will be kept at the IMEB’s International Sound Library.

To take part in the work overture project you must accept all the conditions in the agreement.

Dates :
If you are interested in the work overture project:
Please let us know of your decision and send us the information on your work title and duration before the end of March 2007.

The participants’ list will be published on the IMEB’s site (www.imeb.net) at the end of March.

Please send us exclusively by email your programme note, biography and photography before April 30, 2007. All information sent to us will be published in the Festival program at www.imeb.net.

Please send us your work between April 30, 2007 and May 10, 2007 the latest.

For all information, please contact:

IMEB
Place André Malraux – BP 39
18001 Bourges (France)
Tél. + 33 (0)2 48 20 41 87
Fax + 33 (0)2 48 20 45 51
email : administration@ime-bourges.org
Web