El sonido no se oye como lo que es, sino como lo que representa. Cuando se ha identificado el significado, el significante no se oye más. Pero eso no es del todo así. Sí se oye aunque no se escuche. Como sí se ve, aunque no se mire. Pero se escucha mucho menos de lo que se mira. (José Manuel Berenguer)

AUDITION RECORDS ::: FEMALE SOLOISTS IN BERLIN Vol. 1-3

Posted: enero 20th, 2015 | Author: | Filed under: [*] de suscriptores-> | Tags: , , , , , , , , , , , , , , , , , , , , , , , , | No Comments »

[ar099] FEMALE SOLOISTS IN BERLIN VOL.3

[ar099] FEMALE SOLOISTS IN BERLIN VOL.3

VISIT RELEASE SHEET

Promotional compilation edited by Julian Bonequi.

Quota;Unquota is a serie of concerts curated by Philip Morris and Julian Bonequi and produced by Salon Bruit in collaboration with Audition Records. Season 1 was premiered on February 15 and concluded on November 15, 2013.

We would like to give special thanks to all the artists involved on this compilation: Andrea Neumann, Julie Rousse, Heidrun Schramm, Sabine Vogel, CoCo, Liz Allbee, Antje Vowinckel; to Salon Bruit, Séamus O´Donnell, Jérémie Pujau and the iconic K77.

Recorded by Philip Morris and Salon Bruit at K77. Premastered by Bonequi. On cover, Sabine Vogel, picture from video by Kasia Justka. Design by Audition Records.

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[ar095] FEMALE SOLOISTS IN BERLIN VOL.2

[ar095] FEMALE SOLOISTS IN BERLIN VOL.2

VISIT RELEASE SHEET

Quota;Unquota is a serie of concerts curated by Philip Morris and Julian Bonequi and produced by Salon Bruit in collaboration with Audition Records. Season 1 was premiered on February 15 and concluded on November 15, 2013.

We would like to give special thanks to all the artists involved on this compilation: Verónica Mota, Anaïs Tuerlinckx, Ute Wassermann, Alexandra Cárdenas, Felicity Mangan, Els Vandeweyer, Roberta WJM; to Salon Bruit, Séamus O´Donnell, Jérémie Pujau and the iconic K77.

Recorded by Philip Morris and Salon Bruit at K77. Premastered by Bonequi. On cover, Ute Wassermann, picture from video by Yoann Trellu. Design by Audition Records. Promotional compilation edited by Julian Bonequi.

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[ar094] FEMALE SOLOISTS IN BERLIN VOL.1

[ar094] FEMALE SOLOISTS IN BERLIN VOL.1

VISIT RELEASE SHEET

Quota;Unquota is a serie of concerts curated by Philip Morris and Julian Bonequi and produced by Salon Bruit in collaboration with Audition Records. Season 1 was premiered on February 15 and concluded on November 15, 2013.

We would like to give special thanks to all the artists involved on this compilation: Anna Friz, JD Zazie, Audrey Chen, Anat Cohavi, Marta Zapparoli, Charly Birkenhauer, Abigail Sanders; to Salon Bruit, Séamus O´Donnell and the iconic K77.

Recorded by Philip Morris and Salon Bruit at K77. Premastered by Bonequi. On cover, Marta Zapparoli, picture from video by Jérémie Pujau. Design by Audition Records. Promotional compilation edited by Julian Bonequi.

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Female soloists in Berlin ::: 12.07.2013 ::: ROBERTA WJM ::: ANAÏS TUERLINCKX ::: ALEXANDRA CÁRDENAS ::: SALON BRUIT BERLIN

Posted: julio 10th, 2013 | Author: | Filed under: conciertos | Tags: , , , , , , , | No Comments »

 TO SEE PREVIOUS VIDEO DOCUMENTATION :: PERFORMANCES & INTERVIEWS :: CLICK HERE

: 12.07.2013 :
K77: SALON BRUIT : BERLIN : QUOTA;UNQUOTA.05

Kastanienallee 77. 10435 Prenzlauer Berg
Doors open 22:00 | Concerts start 23:00

FACEBOOK event

ROBERTA WJM (IT) ANAÏS TUERLINCKX (BE) ALEXANDRA CÁRDENAS (CO/MX)
mix, cd, md, mic, electronics Broken Piano II Guitar solo Supercollider Programming

ROBERTA WJM 
Roberta WJM Andreucci is a percussionist, an experimental producer and DJ, and on air personality. She has more than twenty year of experience organizing and promoting alternative music events. She practices plagiarism and the cutting and mixing of musical and ambiental aural sources. Early in her career she started focusing on the use of voices and on vocal metalinguism, focalizing on her personal practice of “cuttingandslicing” and on rhythm patterns obtained through an improper use of her tools of the trade (cdjs, cd player, md, me mixer). Through the years her percussion set morphed into a hybrid encompassing a dj booth, a radio dj one, a microphone station for electroacustic experiments, and a mnemonic butcher’s slab. She is a founding member of performing music units such as Jealousy Party, Semerssuaq, and Sistemi Audiofobici Burp. She is the director of the music label Burp Publications.

Through the years her percussion set morphed into a hybrid encompassing a dj booth, a radio dj one, a microphone station for electroacustic experiments, and a mnemonic butcher’s slab. She is a founding member of performing music units such as Jealousy Party, Semerssuaq, and Sistemi Audiofobici Buro. She is the director of the music label Burp Publications.

ANAÏS TUERLINCKX 
“I believe in Noise as a richer musical source than tones. I want to reveal the physicality of the piano as a dirty monster. I expect the audience to shiver with me thanks to the vibes from inside the piano. Music as a channel for the exchange of fluids and energies in the most direct way possible. The piano is not an instrument but a partner that helps me express the unspeakable.

I feel I want to get absorbed by and take the audience into the noise (as I feel when I listen to some concerts by others) and a wall of sound where you cannot really distinguish the sources of the sound, where everything is melting into an impossible cry, when you feel like many voices are screaming but there are no voices, when you come into trance and you begin to get sonic hallucinations, when your body shakes from the extreme loudness and power of the basses, when music is liberating destruction. Of course these words are strong and it is probably an utopia to get there but I want to believe in it and work harder to slowly move in this direction.”

HEAR [ar080] ANAÏS TUERLINCKX | The Broken Piano

ALEXANDRA CÁRDENAS 
Born in Bogotá, Colombia in 1976. Studied Composition at Los Andes University. Her work has been played in several concert halls in Colombia, Venezuela, Mexico, United States, Europe, China and India and have also been played by many different soloists and chamber ensembles as Tambuco. Her work “Palíndromos” got an honorific mention at the Third Latin-American Harp Encounter in Venezuela. In 2003 she was granted an Artistic Residence at the Multimedia Center in the National Center for the Arts, in Mexico City, where she lived since 2001.

Resident artist at Tokyo Wonder Site in 2012. Since 2008 she works with SuperCollider, programming and improvising music. She is constantly creating projects at the Multimedia Center in Cenart Mexico, with the support of Robotics and Audio Workshops. Her work focuses on experimentation using live electronics, improvisation, creation of controllers and interfaces and livecoding. Currently studies at Universität der Künste Berlin (UdK).

READ MORE AUDITION RECORDS

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